{"id":338,"date":"2021-11-29T13:35:55","date_gmt":"2021-11-29T12:35:55","guid":{"rendered":"https:\/\/www.primardeco.com\/blog\/?p=338"},"modified":"2022-03-17T15:53:56","modified_gmt":"2022-03-17T14:53:56","slug":"les-grandes-figures-de-lecole-hanoi","status":"publish","type":"post","link":"https:\/\/www.primardeco.com\/blog\/les-grandes-figures-de-lecole-hanoi\/","title":{"rendered":"Les grandes figures de l\u2019Ecole d’Hano\u00ef (3\/4)"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Depuis quelques ann\u00e9es, l\u2019art vietnamien<\/strong> conna\u00eet un v\u00e9ritable succ\u00e8s dans les salles des\u00a0 ventes. A l\u2019heure o\u00f9 les ench\u00e8res s\u2019envolent, retour sur cet engouement in\u00e9dit dans cet avant-dernier volet d\u00e9di\u00e9 \u00e0 l’Ecole d’Hano\u00ef<\/strong><\/a>. Mai Thu<\/strong>, Vu Cao Dam<\/strong> et L\u00e9 Ph\u00f4<\/strong> sont consid\u00e9r\u00e9s comme les pionniers de l\u2019art moderne\u00a0 vietnamien,\u00a0 chefs\u00a0 de\u00a0 file\u00a0 d\u2019une\u00a0 nouvelle\u00a0 g\u00e9n\u00e9ration\u00a0 d\u2019artistes\u00a0 alliant\u00a0 traditions\u00a0 ancestrales et modernit\u00e9 occidentale. <\/span><\/em><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Portrait-de-Mai-Thu-Sources-Mai-Thu-1906-1980-collection-particuliere-\u00a9-Musee-des-Ursulines-de-Macon-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bbPortrait de Mai Thu : Sources Mai-Thu (1906-1980)\u00a0\u00bb title_text=\u00a0\u00bbPortrait de Mai Thu – Sources Mai-Thu (1906-1980), collection particuli\u00e8re \u00a9 Mus\u00e9e des Ursulines de M\u00e2con\u00a0\u00bb _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.5″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Mai Trung Thu (1906-1980)<\/span><\/h2>\n

N\u00e9 en 1906<\/strong> pr\u00e8s d’Ha\u00efphong dans le nord du Vietnam – alors protectorat du Tonkin de l\u2019Indochine Fran\u00e7aise -, Mai Trung Thu grandit au sein d\u2019un milieu ais\u00e9. El\u00e8ve au lyc\u00e9e fran\u00e7ais<\/strong> d\u2019Hano\u00ef, il assiste aux profonds bouleversements que conna\u00eet son pays sous l\u2019impulsion du gouvernement colonial fran\u00e7ais qui m\u00e8ne d\u2019importantes mesures de modernisations.<\/p>\n

En 1925<\/strong>, il int\u00e8gre la premi\u00e8re promotion de l\u2019histoire de l\u2019Ecole sup\u00e9rieure des\u00a0 Beaux-Arts\u00a0 de\u00a0 l\u2019Indochine\u00a0<\/a> (EBAI)<\/strong>\u00a0 dirig\u00e9e\u00a0 par\u00a0 Victor\u00a0 Tardieu<\/strong>.\u00a0 Apr\u00e8s\u00a0 avoir\u00a0 obtenu\u00a0 son\u00a0 dipl\u00f4me en 1930<\/strong>, Mai Thu devient professeur de dessin dans un lyc\u00e9e de Hu\u00e9 jusqu\u2019en\u00a0 1937. A cette date, et accompagn\u00e9 de deux de ses camarades de promotion Le Pho<\/strong> et Vu\u00a0 Cao Dam<\/strong>,\u00a0 il\u00a0 se\u00a0 rend\u00a0 en\u00a0 France pour l\u2019Exposition internationale\u00a0 des\u00a0 Arts\u00a0 d\u00e9coratifs\u00a0 de\u00a0 Paris<\/strong>. Sous le charme de la capitale, il d\u00e9cide de s\u2019installer d\u00e9finitivement en France. Tr\u00e8s\u00a0 attach\u00e9\u00a0 \u00e0\u00a0 son\u00a0 pays\u00a0 natal\u00a0 et\u00a0 afin\u00a0 d\u2019\u00eatre\u00a0 consid\u00e9r\u00e9\u00a0 comme\u00a0 peintre\u00a0 asiatique<\/strong>,\u00a0 Mai\u00a0 Thu\u00a0 d\u00e9laisse\u00a0 progressivement la\u00a0 peinture\u00a0 \u00e0\u00a0 l\u2019huile\u00a0 au\u00a0 profit\u00a0 d\u2019une\u00a0 technique\u00a0 traditionnelle\u00a0 vietnamienne :\u00a0 la\u00a0 peinture\u00a0 sur\u00a0 soie<\/strong>.\u00a0 <\/span><\/p>\n

Tr\u00e8s\u00a0 fier\u00a0 de\u00a0 ses\u00a0 origines,\u00a0 Mai\u00a0 Thu\u00a0 d\u00e9peint\u00a0 un\u00a0 Vietnam id\u00e9al et immuable<\/strong>. Au cours de sa carri\u00e8re, il ne r\u00e9alise que tr\u00e8s peu de grandes\u00a0 compositions\u00a0 car\u00a0 il\u00a0 estime\u00a0 qu\u2019elles sont trop\u00a0 chronophages\u00a0 et\u00a0 on\u00e9reuses.\u00a0 Il\u00a0 r\u00e9alise\u00a0 au\u00a0 contraire une multitude de petites peintures sur soie<\/strong> encadr\u00e9es \u00e0 la mani\u00e8re asiatique\u00a0 ainsi que de nombreuses lithographies<\/strong> et impressions<\/strong>. <\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Vu Cao Dam (1908-2000) <\/span><\/h2>\n

N\u00e9 \u00e0 Hano\u00ef en 1908,<\/strong> Vu Cao Dam est issu d\u2019un milieu ais\u00e9, lettr\u00e9 et\u00a0 francophile<\/strong>.\u00a0 Son p\u00e8re, grand \u00e9rudit, ma\u00eetrisant parfaitement la langue fran\u00e7aise, lui transmet cet\u00a0 h\u00e9ritage\u00a0 culturel qui\u00a0 aura\u00a0 un impact\u00a0 consid\u00e9rable\u00a0 sur\u00a0 son\u00a0 avenir. Vu\u00a0 Cao\u00a0 Dam\u00a0 fait\u00a0 partie de la 2e promotion de l\u2019\u00c9cole sup\u00e9rieure des Beaux-Arts de l\u2019Indochine<\/strong> (1926-<\/span>1931). Au\u00a0 cours\u00a0 de\u00a0 ses\u00a0 \u00e9tudes,\u00a0 il\u00a0 rencontre\u00a0 des\u00a0 futurs\u00a0 grands\u00a0 noms\u00a0 de\u00a0 l\u2019art\u00a0 vietnamien comme Mai Thu<\/strong> et Le Pho<\/strong> dont il restera tr\u00e8s proche tout au long de sa\u00a0 vie. Si ses recherches, \u00e0 ses d\u00e9buts, se concentrent essentiellement sur la sculpture<\/strong>, il\u00a0 se tournera ensuite vers la peinture, principalement sur soie. En 1931, il participe \u00e0\u00a0 l\u2019Exposition Coloniale Internationale<\/strong> de Paris. L\u2019ann\u00e9e suivante, il obtient une bourse\u00a0 d\u2019\u00e9tude lui permettant de s\u2019installer d\u00e9finitivement en France. A Paris, il s\u2019inspire des\u00a0 grands ma\u00eetres pass\u00e9s et contemporains<\/strong> tant en sculpture qu\u2019en peinture. D\u00e9laissant\u00a0 progressivement la sculpture au profit de la peinture, les influences\u00a0 fran\u00e7aises sont\u00a0 de\u00a0 plus\u00a0 en\u00a0 plus\u00a0 visibles\u00a0 dans\u00a0 ses\u00a0 \u0153uvres.\u00a0 Vu\u00a0 Cao\u00a0 Dam\u00a0 peint\u00a0 principalement\u00a0 des\u00a0 portraits<\/strong>\u00a0 et\u00a0 des\u00a0 sc\u00e8nes\u00a0 de\u00a0 genre.<\/strong>\u00a0 Les\u00a0 figures,\u00a0 majoritairement\u00a0 f\u00e9minines,\u00a0 sont\u00a0 longilignes et mises en valeur par des couleurs \u00e0 la fois franches et nuanc\u00e9es.\u00a0<\/span><\/p>\n

Peintre \u00e0 succ\u00e8s<\/strong>, Vu Cao Dam participe \u00e0 des nombreuses expositions en France,\u00a0 mais\u00a0 aussi\u00a0 ailleurs\u00a0 en\u00a0 Europe et\u00a0 aux\u00a0 Etats-Unis.\u00a0 Sa\u00a0 renomm\u00e9e\u00a0 internationale\u00a0<\/strong> lui\u00a0 assure une tr\u00e8s belle r\u00e9ussite.\u00a0<\/span><\/p>\n

Vu\u00a0 Cao\u00a0 Dam\u00a0 est\u00a0 aujourd\u2019hui\u00a0 consid\u00e9r\u00e9s\u00a0 comme\u00a0 l\u2019un\u00a0 des\u00a0 plus\u00a0 grands\u00a0 artistes\u00a0 vietnamiens de son temps et ses \u0153uvres ont int\u00e9gr\u00e9 les collections<\/strong>\u00a0des\u00a0 plus grands mus\u00e9es du monde.\u00a0 <\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Portrait-de-Vu-Cao-Dam-\u00a9-Drouot.png\u00a0\u00bb alt=\u00a0\u00bbPortrait de Vu Cao Dam \u00a9 Drouot\u00a0\u00bb title_text=\u00a0\u00bbPortrait de Vu Cao Dam \u00a9 Drouot\u00a0\u00bb _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Portrait-de-Le-Pho-et-le-marchand-dart-wally-findlay-a-la-galerie-findlay-vers-1960-wikimedia-commons-musee-annam.jpg\u00a0\u00bb title_text=\u00a0\u00bbPortrait de L\u00e9 Ph\u00f4 et le marchand d\u2019art wally findlay \u00e0 la galerie findlay vers 1960 – wikimedia commons mus\u00e9e annam\u00a0\u00bb _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.5″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

L\u00e9 Ph\u00f4\u00a0<\/span><\/h2>\n

Le Pho, n\u00e9 en\u00a0 1907<\/strong> pr\u00e8s\u00a0 d\u2019Hano\u00ef, est le\u00a0 fils\u00a0 du\u00a0 vice-roi\u00a0 du Tonkin. D\u00e8s\u00a0 son\u00a0 plus\u00a0 jeune\u00a0 \u00e2ge, il\u00a0 s’int\u00e9resse au dessin et \u00e0 la peinture.\u00a0 C\u2019est\u00a0 donc\u00a0 tout\u00a0 naturellement\u00a0 qu\u2019il\u00a0 int\u00e8gre\u00a0 la\u00a0 1<\/strong><\/span>\u00e8re <\/strong>promotion\u00a0 de\u00a0 l\u2019Ecole\u00a0 sup\u00e9rieure\u00a0 des\u00a0 Beaux-Arts\u00a0<\/strong> (EBAI) en 1925.<\/strong> Tr\u00e8s vite le directeur de l\u2019\u00e9cole, Victor Tardieu<\/strong> le rep\u00e8re et en 1931, \u00e0\u00a0 l\u2019occasion\u00a0 de\u00a0 l\u2019Exposition\u00a0 Coloniale\u00a0 de\u00a0 Paris<\/strong>, il\u00a0 lui\u00a0 demande\u00a0 d\u2019\u00eatre\u00a0 son\u00a0 assistant.\u00a0 Ce\u00a0 dernier\u00a0 consid\u00e9rera\u00a0 d\u2019ailleurs\u00a0 Le\u00a0 Pho\u00a0 comme\u00a0 \u00ab l\u2019un\u00a0 des\u00a0 plus\u00a0 brillants\u00a0 artistes<\/strong>\u00a0 qu\u2019ait\u00a0 produit l\u2019Ecole \u00bb. Au cours de ce voyage o\u00f9 il visite la France mais aussi l\u2019Italie, les Pays Bas etc, Le Pho perfectionne ses connaissances sur l\u2019histoire de l\u2019art occidentale<\/strong>. <\/span>D\u00e8s son\u00a0 retour\u00a0 au\u00a0 Vietnam\u00a0 l\u2019ann\u00e9e\u00a0 suivante,\u00a0 il\u00a0 souhaite\u00a0 mettre\u00a0 son\u00a0 exp\u00e9rience\u00a0 au\u00a0 service\u00a0 des\u00a0 \u00e9l\u00e8ves\u00a0 de l\u2019EBAI et\u00a0 devient\u00a0 professeur. <\/span><\/p>\n

En\u00a0 1937<\/strong>, alors\u00a0 qu\u2019il est\u00a0 nomm\u00e9\u00a0 directeur\u00a0<\/strong> de la\u00a0 section\u00a0 indochinoise\u00a0 \u00e0\u00a0 l\u2019Exposition\u00a0 universelle\u00a0 de\u00a0 Paris,\u00a0 il\u00a0 d\u00e9cide\u00a0 de\u00a0 s\u2019installer\u00a0 d\u00e9finitivement\u00a0 en\u00a0 France.\u00a0 Progressivement,\u00a0 et\u00a0 sous\u00a0 l\u2019influence\u00a0 des\u00a0 impressionnistes\u00a0<\/strong> notamment,\u00a0 l\u2019artiste\u00a0 se\u00a0 d\u00e9tache\u00a0 des\u00a0 techniques\u00a0 ancestrales\u00a0 de\u00a0 la\u00a0 peinture\u00a0 sur\u00a0 soie\u00a0 au\u00a0 profit\u00a0 de la\u00a0 peinture\u00a0 \u00e0 l\u2019huile<\/strong>. De m\u00eame les\u00a0 portraits,\u00a0 principalement\u00a0 f\u00e9minins,\u00a0 c\u00e8dent\u00a0 progressivement\u00a0 leur\u00a0 place\u00a0 \u00e0 des sc\u00e8nes\u00a0 de\u00a0 genre<\/strong>\u00a0 c\u00e9l\u00e9brant\u00a0 la\u00a0 nature.\u00a0 Gr\u00e2ce\u00a0 \u00e0\u00a0 ses\u00a0 \u0153uvres\u00a0 de\u00a0 tr\u00e8s\u00a0 grande\u00a0 qualit\u00e9,\u00a0 r\u00e9solument\u00a0 modernes<\/strong>,\u00a0 L\u00e9\u00a0 Ph\u00f4\u00a0 conna\u00eet\u00a0 une\u00a0 renomm\u00e9e\u00a0 internationale<\/strong> de son vivant. <\/span><\/p>\n

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Depuis quelques ann\u00e9es, l\u2019art vietnamien conna\u00eet un v\u00e9ritable succ\u00e8s dans les salles des\u00a0 ventes. A l\u2019heure o\u00f9 les ench\u00e8res s\u2019envolent, retour sur cet engouement in\u00e9dit dans cet avant-dernier volet d\u00e9di\u00e9 aux 3 principales figures de l’art vietnamien. Mai Thu, Vu Cao Dam et L\u00e9 Ph\u00f4 sont consid\u00e9r\u00e9s comme les pionniers de l\u2019art moderne\u00a0 vietnamien,\u00a0 chefs\u00a0 de\u00a0 file\u00a0 d\u2019une\u00a0 nouvelle\u00a0 g\u00e9n\u00e9ration\u00a0 d\u2019artistes\u00a0 alliant\u00a0 traditions\u00a0 ancestrales et modernit\u00e9 occidentale.<\/p>\n","protected":false},"author":1,"featured_media":357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[13,14],"class_list":["post-338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-asie","tag-art-moderne","tag-art-vietnamien"],"yoast_head":"\nLes grandes figures de l\u2019Ecole d'Hano\u00ef (3\/4) | Primardeco - Blog<\/title>\n<meta name=\"description\" content=\"En savoir plus sur "Les grandes figures de l\u2019Ecole d'Hano\u00ef (3\/4)", un sujet propos\u00e9 dans la cat\u00e9gorie Art d'Asie par l'\u00e9quipe Primardeco, sp\u00e9cialistes de l'expertise et de la vente aux ench\u00e8res d'art \u00e0 Toulouse.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.primardeco.com\/blog\/les-grandes-figures-de-lecole-hanoi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les grandes figures de l\u2019Ecole d'Hano\u00ef (3\/4) | Primardeco - 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