{"id":326,"date":"2021-11-29T13:13:14","date_gmt":"2021-11-29T12:13:14","guid":{"rendered":"https:\/\/www.primardeco.com\/blog\/?p=326"},"modified":"2022-03-17T15:50:52","modified_gmt":"2022-03-17T14:50:52","slug":"ecole-d-hanoi","status":"publish","type":"post","link":"https:\/\/www.primardeco.com\/blog\/ecole-d-hanoi\/","title":{"rendered":"L\u2019Ecole d\u2019Hano\u00ef (2\/4)"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.22″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb3.25″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb3.25″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.9″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Depuis quelques ann\u00e9es, l\u2019art vietnamien<\/strong> conna\u00eet un v\u00e9ritable succ\u00e8s dans les salles des\u00a0 ventes. A l\u2019heure o\u00f9 les ench\u00e8res s\u2019envolent, retour sur cet engouement in\u00e9dit. Voici le 2\u00e8me chapitre consacr\u00e9 \u00e0 l’Ecole d’Hano\u00ef.\u00a0<\/span><\/em><\/p>\n

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La naissance d\u2019un style indochinois, entre tradition et modernit\u00e9<\/span><\/h2>\n

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Transmettre\u00a0 \u00e0\u00a0 ses\u00a0 \u00e9l\u00e8ves\u00a0 \u00ab\u00a0 une\u00a0 connaissance\u00a0 approfondie\u00a0 tant\u00a0 de l\u2019histoire\u00a0 de\u00a0 l\u2019art\u00a0 occidentale\u00a0 que\u00a0 des\u00a0 arts\u00a0 et\u00a0 artisanats\u00a0 de\u00a0 l\u2019Extr\u00eame-Orient\u00a0 \u00bb(<\/span>1) <\/span>fait\u00a0 partie\u00a0 des\u00a0 principes fondamentaux de l\u2019Ecole sup\u00e9rieure des Beaux-Arts de l\u2019Indochine (EBAI)<\/strong><\/a>\u00a0 fond\u00e9e en 1925.\u00a0\u00a0<\/span><\/p>\n

Avant\u00a0 la\u00a0 cr\u00e9ation\u00a0 de\u00a0 l\u2019EBAI,\u00a0 l\u2019art\u00a0 traditionnel\u00a0 vietnamien<\/strong>\u00a0 est\u00a0 influenc\u00e9\u00a0 par\u00a0 la\u00a0 culture chinoise. Culte des anc\u00eatres, sujets religieux, repr\u00e9sentations de d\u00e9it\u00e9 ou de\u00a0 h\u00e9ros\u00a0 nationaux \u00a0sont \u00a0les\u00a0 principales\u00a0 sources\u00a0 d\u2019inspiration.\u00a0 L\u2019Ecole\u00a0 sup\u00e9rieure des Beaux-Arts de l\u2019Indochine, r\u00e9solument\u00a0 tourn\u00e9e vers l\u2019Occident, mais\u00a0 attach\u00e9e aux techniques ancestrales formera de nombreux artistes regroup\u00e9s sous le\u00a0 nom d\u2019 \u00ab Ecole d\u2019Hano\u00ef<\/strong> \u00bb \u00e0 l\u2019origine d\u2019une v\u00e9ritable r\u00e9volution esth\u00e9tique<\/strong> au Vietnam.\u00a0\u00a0<\/span><\/p>\n

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Les peintres fran\u00e7ais, laur\u00e9ats du prix d\u2019Indochine<\/strong> devenus professeurs \u00e0 l\u2019Ecole sup\u00e9rieure des Beaux-Arts de l\u2019Indochine, enseignent la peinture \u00e0 l\u2019huile, mais aussi la perspective lin\u00e9aire, les techniques d\u2019ombres et de lumi\u00e8re et pr\u00eatent une attention particuli\u00e8re \u00e0 la recherche de volume. Ces enseignements auront une influence consid\u00e9rable sur la production vietnamienne<\/strong> qui \u00e9manera de l\u2019Ecole sup\u00e9rieure des Beaux-Arts de l\u2019Indochine.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Ecole-des-Beaux-Arts-dHanoi.-Ateliers-sculpteurs.-\u00a9humazur.univ-cotedazur-scaled.jpeg\u00a0\u00bb alt=\u00a0\u00bbEcole des Beaux-Arts d’Hanoi. Ateliers sculpteurs. \u00a9humazur.univ-cotedazur\u00a0\u00bb title_text=\u00a0\u00bbEcole des Beaux-Arts d’Hanoi. Ateliers sculpteurs. \u00a9humazur.univ-cotedazur\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/bb6177f25e2de5b4596d62bffbeacf81483aaf4b.jpg\u00a0\u00bb alt=\u00a0\u00bbVu Cao Dam, Femme au bain, peinture sur soie, sign\u00e9e en haut \u00e0 gauche. \u00a9PRIMARDECO\u00a0\u00bb title_text=\u00a0\u00bbVu Cao Dam, Femme au bain, peinture sur soie, sign\u00e9e en haut \u00e0 gauche. \u00a9PRIMARDECO\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Au sein de l\u2019EBAI, une place importante est accord\u00e9e \u00e0 l\u2019enseignement de la peinture sur soie<\/strong> directement inspir\u00e9e de la technique chinoise de peinture sur rouleau. Cette technique ancestrale<\/strong>, qui requiert minutie et d\u00e9licatesse puisqu\u2019aucun retour en arri\u00e8re n\u2019est possible, est tr\u00e8s appr\u00e9ci\u00e9e par les artistes vietnamiens de l\u2019Ecole d\u2019Hano\u00ef.<\/strong> N\u00e9anmoins, et sous l\u2019influence de leurs professeurs europ\u00e9ens, ils adaptent cette technique afin de pouvoir encadrer les \u0153uvres \u00e0 la mani\u00e8re occidentale. Entre tradition et modernit\u00e9<\/strong>, la peinture sur soie devient d\u00e8s lors l\u2019une des particularit\u00e9s de l\u2019Ecole d\u2019Hano\u00ef.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_3,1_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Gr\u00e2ce aux artistes fran\u00e7ais Alix Aym\u00e9<\/strong> (1894-1989) et Joseph Inguimberty<\/strong> (1896-1971) l\u2019art de la laque<\/strong> traditionnel vietnamien retrouve ses lettres de noblesse. En effet, fascin\u00e9s par cette technique, Alix Aym\u00e9 et Joseph Inguimberty inaugurent un nouveau d\u00e9partement qui lui est consacr\u00e9 \u00e0 l\u2019Ecole sup\u00e9rieure des Beaux-Arts de l\u2019Indochine. Ils encouragent \u00e9galement leurs \u00e9l\u00e8ves \u00e0 r\u00e9aliser des panneaux d\u00e9coratifs en laque<\/strong>. C\u2019est ainsi que la laque devient un support de pr\u00e9dilection pour les artistes de l\u2019Ecole d\u2019Hano\u00ef.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Alix-Ayme\u0301.-Baigneuses.-Flickr-\u00a9manhhai.jpg\u00a0\u00bb alt=\u00a0\u00bbAlix Ayme\u0301. Baigneuses. Flickr \u00a9manhhai\u00a0\u00bb title_text=\u00a0\u00bbAlix Ayme\u0301. Baigneuses. Flickr \u00a9manhhai\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Jusqu\u2019au d\u00e9but du XXe si\u00e8cle<\/strong>, et alors que le pays est en pleine modernisation (construction de chemin de fer et de ponts, etc), les artistes vietnamiens illustrent essentiellement des paysages typiques comme la baie de Ha Long ou la capitale imp\u00e9riale Hu\u00ea, des sc\u00e8nes populaires et des personnages en costumes traditionnels. Cependant, gr\u00e2ce \u00e0 l\u2019EBAI et sous influence occidentale, les peintres de l\u2019Ecole d\u2019Hano\u00ef diversifient<\/strong> progressivement leur source d\u2019inspiration et d\u00e9peignent avec beaucoup de sensibilit\u00e9 et de finesse des sc\u00e8nes intimistes.<\/strong><\/p>\n

La figure de la femme et plus pr\u00e9cis\u00e9ment de la jeune fille<\/strong> y tient souvent une place particuli\u00e8re et refl\u00e8te cette nouvelle modernit\u00e9. En effet, repr\u00e9senter un portrait anonyme de jeune fille n\u2019\u00e9tait pas concevable dans la tradition vietnamienne.<\/p>\n

C\u2019est ainsi qu\u2019un nouveau style \u00ab\u00a0indochinois\u00a0\u00bb<\/strong> alliant techniques extr\u00eame-orientales et influences occidentales<\/strong> se d\u00e9veloppe au Vietnam \u00e0 partir des ann\u00e9es 30<\/strong>.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/12\/Record-1.jpeg\u00a0\u00bb alt=\u00a0\u00bbVu Cao Dam, Jeune indochinoise se coiffant et Jeune Indochinoise accoud\u00e9e \u00e0 une balustrade, peinture sur soie, 1948. \u00a9Primardeco\u00a0\u00bb title_text=\u00a0\u00bbVu Cao Dam, Jeune indochinoise se coiffant et Jeune Indochinoise accoud\u00e9e \u00e0 une balustrade, peinture sur soie, 1948. \u00a9Primardeco\u00a0\u00bb _builder_version=\u00a0\u00bb4.14.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2021\/11\/Image-de-lExposition-coloniale-de-Paris-en-1931-Affiche-de-lExposition-coloniale-Victor-Jean-Desmeures-Source-Musee-national-de-lhistoire-et-des-cultures-de-limmigration.jpg\u00a0\u00bb alt=\u00a0\u00bbAffiche de l\u2019Exposition coloniale de Paris en 1931, Victor Jean Desmeures – Source: Mus\u00e9e national de l\u2019histoire et des cultures de l\u2019immigration\u00a0\u00bb title_text=\u00a0\u00bbAffiche de l\u2019Exposition coloniale de Paris en 1931, Victor Jean Desmeures – Source: Mus\u00e9e national de l\u2019histoire et des cultures de l\u2019immigration\u00a0\u00bb _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.13.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.14.9″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Victor Tardieu, soucieux de la r\u00e9ussite de ses \u00e9l\u00e8ves,\u00a0 les encourage \u00e0 participer aux grandes expositions internationales<\/strong>. Il encourage notamment certains \u00e9l\u00e8ves de\u00a0 la premi\u00e8re promotion de l\u2019EBAI dont L\u00e9 Ph\u00f4<\/strong><\/a> (1907-2001), Vu Cao Dam<\/strong><\/a> (1908-2000)\u00a0 et Mai Thu<\/strong> <\/a>(1906-1980) \u00e0 se rendre \u00e0 l\u2019Exposition Coloniale de Paris en 1931 afin de\u00a0 promouvoir\u00a0 leur\u00a0 art.\u00a0 Le\u00a0 succ\u00e8s\u00a0 est\u00a0 imm\u00e9diat :\u00a0 l\u2019Occident\u00a0 d\u00e9couvre\u00a0 avec\u00a0 \u00e9merveillement les \u0153uvres de l\u2019Ecole d\u2019Hano\u00ef.\u00a0<\/span><\/p>\n

Avec la cr\u00e9ation de l\u2019Ecole\u00a0 sup\u00e9rieure des Beaux-Arts de l\u2019Indochine, le concept\u00a0 occidental\u00a0 d\u2019\u00ab artiste \u00bb<\/strong>\u00a0 s\u2019impose\u00a0 au\u00a0 Vietnam et\u00a0 un\u00a0 nouveau\u00a0 style\u00a0 esth\u00e9tique\u00a0 indochinois<\/strong>\u00a0 unique\u00a0 au\u00a0 monde\u00a0 port\u00e9\u00a0 par\u00a0 des artistes\u00a0 extr\u00eamement\u00a0 talentueux\u00a0 se\u00a0 d\u00e9veloppe.<\/span><\/p>\n

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    \n
  1. Pierre\u00a0 Paliard, <\/span>Un\u00a0 art vietnamien :\u00a0 penser\u00a0 d\u2019autres modernit\u00e9s – Le\u00a0 projet\u00a0 de Victor\u00a0 Tardieu\u00a0 pour\u00a0 l\u2019Ecole\u00a0 des\u00a0 Beaux-Arts\u00a0 de\u00a0 l\u2019Indochine\u00a0 \u00e0\u00a0 Hano\u00ef\u00a0 en\u00a0 1924<\/span>,\u00a0 Paris :\u00a0 l\u2019Harmattan, 2014, 128 pages. <\/span><\/em><\/li>\n<\/ol>\n

     <\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    Depuis quelques ann\u00e9es, l\u2019art vietnamien conna\u00eet un v\u00e9ritable succ\u00e8s dans les salles des\u00a0 ventes. A l\u2019heure o\u00f9 les ench\u00e8res s\u2019envolent, retour sur cet engouement in\u00e9dit. Voici le 2\u00e8me chapitre consacr\u00e9 \u00e0 l’Ecole d’Hano\u00ef.\u00a0<\/p>\n","protected":false},"author":1,"featured_media":335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[13,14],"class_list":["post-326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-asie","tag-art-moderne","tag-art-vietnamien"],"yoast_head":"\nL\u2019Ecole d\u2019Hano\u00ef (2\/4) | Primardeco - Blog<\/title>\n<meta name=\"description\" content=\"En savoir plus sur "L\u2019Ecole d\u2019Hano\u00ef (2\/4)", un sujet propos\u00e9 dans la cat\u00e9gorie Art d'Asie par l'\u00e9quipe Primardeco, sp\u00e9cialistes de l'expertise et de la vente aux ench\u00e8res d'art \u00e0 Toulouse.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.primardeco.com\/blog\/ecole-d-hanoi\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Ecole d\u2019Hano\u00ef (2\/4) | Primardeco - 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