{"id":1424,"date":"2022-03-30T15:26:16","date_gmt":"2022-03-30T13:26:16","guid":{"rendered":"https:\/\/www.primardeco.com\/blog\/?p=1424"},"modified":"2022-03-30T18:53:02","modified_gmt":"2022-03-30T16:53:02","slug":"katazyna-kobro-une-figure-majeure-de-lavant-garde-polonaise-aux-encheres","status":"publish","type":"post","link":"https:\/\/www.primardeco.com\/blog\/katazyna-kobro-une-figure-majeure-de-lavant-garde-polonaise-aux-encheres\/","title":{"rendered":"Katarzyna Kobro, une figure majeure de l\u2019avant garde polonaise aux ench\u00e8res"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.15″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.15″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text admin_label=\u00a0\u00bbIntro\u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb1px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Les ventes aux ench\u00e8res nous permettent de belles re d\u00e9couvertes. C\u2019est notamment le cas de cette vente de tableaux du XIX\u00e8me et XX\u00e8me si\u00e8cle<\/a>, gr\u00e2ce \u00e0 laquelle nous croisons la route de <\/i>Katarzyna Kobro<\/i><\/b>, pr\u00e9curseur et figure de proue de l\u2019<\/i>avant garde polonaise<\/i><\/b>.\u00a0<\/span><\/i><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Katarzyna Kobro, sculptrice polognaise<\/h2>\n

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D\u00e8s son plus jeune \u00e2ge Katazyna Kobro se passionne pour le monde des arts. En 1917, elle d\u00e9bute sa formation \u00e0 l\u2019Ecole de peinture, sculpture & architecture de Moscou<\/b> o\u00f9 elle fait la rencontre de W\u0142adys\u0142aw Strzemi\u0144ski <\/b>(1893-1952). Apr\u00e8s la r\u00e9volution bolch\u00e9vique de 1918, elle poursuit ses \u00e9tudes au sein des Ateliers libre de la ville. Il est tr\u00e8s probable qu\u2019elle ait suivi l\u2019atelier de sculpture de Tatline<\/b> et\/ou l\u2019atelier Supr\u00e9matiste de Mal\u00e9vitch<\/b>.\u00a0<\/span><\/p>\n

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En 1920, elle participe \u00e0 l\u2019Exposition d\u2019Etat qui se d\u00e9roule \u00e0 Smolensk et fr\u00e9quente de grands artistes de son temps comme Malevitch<\/b> (1878-1935).<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2022\/03\/Katarzyna_Kobro-\u00a9Wikipedia.jpeg\u00a0\u00bb alt=\u00a0\u00bbKatarzyna_Kobro \u00a9Wikip\u00e9dia\u00a0\u00bb title_text=\u00a0\u00bbKatarzyna_Kobro \u00a9Wikip\u00e9dia\u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb] <\/p>\n

L\u2019exil en Pologne<\/h2>\n

\u00a0<\/span><\/h2>\n

En 1921, elle se marie avec le peintre W\u0142adys\u0142aw Strzemi\u0144ski<\/strong> (1893-1952). Ensemble, ils succ\u00e8dent \u00e0 Malevitch et dirigent un groupe d\u2019artistes russes, mais d\u00e8s 1922 inquiets par les r\u00e9cents \u00e9v\u00e9nements qui bouleversent la Russie sovi\u00e9tique et menacent leur art, ils d\u00e9cident de quitter leur pays pour se rendre en Pologne<\/b> et plus pr\u00e9cis\u00e9ment dans la ville industrielle de Lodz.\u00a0<\/span>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_5,2_5″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Ils s\u2019\u00e9rigent alors comme des personnalit\u00e9s phares de l\u2019avant-garde polonaise. <\/b>Particuli\u00e8rement actifs dans tous les groupes de l\u2019avant-garde polonaise : Blok (qui rassemble un certain nombre d\u2019artistes de l\u2019avant garde bas\u00e9s \u00e0 Varsovie), Praesens et \u00ab\u00a0a.r\u00a0\u00bb pour avant garde authentique ou artistes de la r\u00e9volution\u2026 Ils sont consid\u00e9r\u00e9s comme \u00e9tant \u00e0 l\u2019origine de l\u2019\u00e9mergence d\u2019un courant avant gardiste en Pologne.<\/b><\/p>\n

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Quelques ann\u00e9es plus tard, son mariage avec Strzemi\u0144ski vole en \u00e9clat. Contrainte de se d\u00e9brouiller seule, elle m\u00e8ne une existence de mis\u00e8re et s\u2019\u00e9teint \u00e0 seulement 53 ans.\u00a0<\/span>
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Des sculptures abstraites qui font sa renomm\u00e9e<\/h2>\n

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Tr\u00e8s vite, Katarzyna Kobro oriente ses recherches en sculptures sur les formes et d\u00e8s ses premi\u00e8res r\u00e9alisations, elle fait le choix de formes abstraites<\/strong>.<\/p>\n

Katarzyna Kobro est l\u2019une des rares femmes de son temps \u00e0 appliquer les principes du supr\u00e9matisme<\/b> et du constructivisme<\/b> \u00e0 la sculpture. Principalement r\u00e9alis\u00e9es en bois, en m\u00e9tal et en verre, les sculptures de Kobro s\u2019articulent autour de surfaces planes ou courbes, horizontales ou verticales, color\u00e9es et g\u00e9om\u00e9triques.<\/p>\n

L’artiste refuse de percevoir la sculpture d\u2019un seul bloc. Elle consid\u00e8re au contraire la sculpture comme un moyen d\u2019appr\u00e9hender l\u2019espace. Il n\u2019y a d\u00e8s lors pas de rupture entre l\u2019oeuvre et l\u2019environnement : tout deux coexistent et s\u2019int\u00e8grent l\u2019un \u00e0 l\u2019autre.<\/p>\n

Elle doit sa renomm\u00e9e \u00e0 ses c\u00e9l\u00e8bres compositions spatiales dont une tr\u00e8s repr\u00e9sentative de son oeuvre est actuellement conserv\u00e9e au Centre Pompidou <\/b>\u00e0 Paris : Sculpture spatiale.\u00a0<\/span><\/i><\/p>\n

<\/h2>\n

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Des nus figuratifs cubistes moins connus aux ench\u00e8res<\/h2>\n

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La sculpture en bronze<\/strong> \u00ab\u00a0Femme nue assise\u00a0\u00bb<\/a> pr\u00e9sent\u00e9e aux ench\u00e8res par Primardeco est unique sur plusieurs aspects.\u00a0Adjug\u00e9e 14 400\u20ac<\/strong>, elle a tenu toutes ses promesses !\u00a0<\/span><\/p>\n

Consid\u00e9r\u00e9e comme l\u2019une des femmes sculpteurs<\/strong> les plus importantes de l\u2019entre deux guerres, peu d\u2019oeuvres nous sont parvenues. En effet, nombre de ces r\u00e9alisations notamment de jeunesse ont disparu pendant la Seconde Guerre mondiale. Leur pr\u00e9sence en salle des ventes<\/strong> en est d\u2019autant plus importante.\u00a0<\/span><\/p>\n

La sculpture en bronze vendue aux ench\u00e8res<\/strong> par Primardeco incarne \u00e9galement une autre facette de sa pratique artistique peut \u00eatre moins connue mais tout aussi saisissante : ces sculptures de nus figuratifs inspir\u00e9s du cubisme<\/strong>. Ses Nus r\u00e9v\u00e8lent tout le talent de cet artiste majeur et refl\u00e8tent sa diversit\u00e9.\u00a0\u200b<\/span>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2022\/03\/Katarzyna-KOBRO.-22Femme-nue-assise22.-\u00a9Primardeco-.jpg\u00a0\u00bb alt=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb title_text=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2022\/03\/Katarzyna-KOBRO.-22Femme-nue-assise22.-Profil-\u00a9Primardeco-.jpg\u00a0\u00bb alt=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb title_text=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Enfin cette sculpture en bronze<\/strong> de femme illustre tout le talent de cet figure incontournable de l\u2019avant-garde polonaise<\/strong> qui a profond\u00e9ment marqu\u00e9 l\u2019histoire de la sculpture moderne.\u00a0<\/span><\/p>\n

Les sculptures de l\u2019artiste sont g\u00e9n\u00e9ralement estim\u00e9es entre 10 000-15 000\u20ac,\u00a0<\/b>mais leur estimation <\/b>peut aller jusqu\u2019\u00e0 30 000\u20ac si c’est une sculpture abstraite. Relativement rares en salle des ventes, ses oeuvres sont aujourd\u2019hui conserv\u00e9es en grande partie au mus\u00e9e Sztuki de Lodz<\/b>. N\u00e9anmoins la red\u00e9couverte r\u00e9cente de l\u2019avant garde polonaise et la mise en lumi\u00e8re de son r\u00f4le majeur dans l\u2019histoire de l\u2019art europ\u00e9enne fait augmenter la valeur<\/strong> de ses oeuvres sur le march\u00e9 de l\u2019art<\/strong>.\u00a0<\/span>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

La fonderie Clementi\u00a0<\/span><\/h2>\n

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La fonderie Clementi<\/strong> est une fonderie d\u2019art<\/strong> \u00e0 la cire perdue fran\u00e7aise cr\u00e9\u00e9e par Turridu Clementi en 1963. A sa mort en 2001, son fils Gilbert reprend les rennes de cette entreprise familiale.\u00a0<\/span><\/p>\n

Si la technique de fonte \u00e0 la cire perdue apparait d\u00e8s l\u2019Antiquit\u00e9, tr\u00e8s peu de fonderie maitrise actuellement ce savoir faire et le font perdurer.<\/p>\n

Les oeuvres de plus de 600 artistes ont \u00e9t\u00e9 fondues par la Fonderie Clementi.\u00a0<\/span><\/p>\n

Une oeuvre issue de la fonderie Clement est gage de qualit\u00e9, sa valeur<\/strong> ne peut d\u00e8s lors qu\u2019augmenter sur le march\u00e9 de l\u2019art<\/strong>.\u00a0<\/span>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2022\/03\/8f93c446f592920decb5b5f596f60170056d6a8a.jpg\u00a0\u00bb alt=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb title_text=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.primardeco.com\/blog\/wp-content\/uploads\/2022\/03\/db8451ebc76169a803f9a192ddd9eb1bbac9ca62.jpg\u00a0\u00bb alt=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb title_text=\u00a0\u00bbKatarzyna KOBRO. %22Femme nue assise%22. \u00a9Primardeco \u00a0\u00bb _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.15.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Aujourd\u2019hui le <\/i>mus\u00e9e Sztuki<\/i><\/b> conserve \u00e0 Lodz conserve une grande partie de ses oeuvres. <\/i>W\u0142adys\u0142aw Strzemi\u0144ski <\/i><\/b>(1893-1952) dira d\u2019elle qu\u2019elle est \u00ab\u00a0la plus dou\u00e9e des jeunes artistes : ses sculptures Supr\u00e9matistes sont un ph\u00e9nom\u00e8ne \u00e0 l\u2019\u00e9chelle europ\u00e9enne […] non une imitation, mais une cr\u00e9ation parall\u00e8le \u00e0 celle de Malevitch\u00a0\u00bb.\u00a0<\/span><\/i>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.15″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Les ventes aux ench\u00e8res nous permettent de belles re d\u00e9couvertes. C\u2019est notamment le cas de cette vente de tableaux du XIX\u00e8me et XX\u00e8me si\u00e8cle, gr\u00e2ce \u00e0 laquelle nous croisons la route de Katarzyna Kobro, pr\u00e9curseur et figure de proue de l\u2019avant garde polonaise.\u00a0Katarzyna Kobro, sculptrice polognaise   D\u00e8s son plus jeune \u00e2ge Katazyna Kobro se […]<\/p>\n","protected":false},"author":2,"featured_media":1435,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[8],"tags":[17],"class_list":["post-1424","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-objets-dart-antiquites","tag-sculpture"],"yoast_head":"\nKatarzyna Kobro, une figure majeure de l\u2019avant garde polonaise aux ench\u00e8res | Primardeco - Blog<\/title>\n<meta name=\"description\" content=\"En savoir plus sur "Katarzyna Kobro, une figure majeure de l\u2019avant garde polonaise aux ench\u00e8res", un sujet propos\u00e9 dans la cat\u00e9gorie Objets d'art & antiquit\u00e9s par l'\u00e9quipe Primardeco, sp\u00e9cialistes de l'expertise et de la vente aux ench\u00e8res d'art \u00e0 Toulouse.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.primardeco.com\/blog\/katazyna-kobro-une-figure-majeure-de-lavant-garde-polonaise-aux-encheres\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Katarzyna Kobro, une figure majeure de l\u2019avant garde polonaise aux ench\u00e8res | Primardeco - 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